I was born 36 years ago in Evry, Essonne (France), and shortly after I moved to Spain where I studied technology and drafting a vocational training institute in Elche (Alicante), but I became very interested over the drawing.

After finishing high school, I became a letterer. In the early 90\'s is when I bought my first analog camera, a Canon AE1 Program. At the end of this decade and after watching a cinema arthouse film by Lisa Cholodenko \\ \"High art \\\" (the particular descent into hell of a photographer junkie) my photographic vision changes dramatically, always trying to find sincerity of my snapshots.

Shortly after discovering the photo-reporters of American 40\'s, 50\'s, 60\'s and 70\'s with whom I will reaffirm my photographic vision of life and things, people like Diane Arbus, Garry Winnogrand, Lee Friedlander, Willy Ronis and the wonderful Ruth Orkin are my idols, gurus, spiritual mentors.

By fully self shot a thousand times I look my way ...

At that time know the photographer Manuel Lara Cárdenas through a mutual friend, but not until after a decade when he took direct contact with digital photography under the teachings of Lara, which I learn and I specialize in the processing of black and white , both digital and analog.

With photographer Manuel Lara Cárdenas (students among others, Albert Plossu, Alberto García Alix and Chema Madoz ...) developed two courses during the summer and winter of 2010-2011, the specialty \\ \"Strobit \\\" (lighting schemes with off-camera flashes and reflectors) and the black and white, with both final projects and thematic group exhibition on immigration and sport at any age.

From then until now, I have done but to continue with the fascination of knowing how it will be something to repent in a photo.